Ordo Templi Orientis
"Ich sinke nieder, ich stammle verwirrtes Zeug - der Weltgeist kommt
mir wieder so gross vor - zu gross!"|
"In the midst of the word he was trying to say
In the midst of his laughter and glee
He had softly and suddenly vanished away -
For the Snark was a Boojum you see."
Ellic Howe, 'The Magicians of the Golden Dawn' (London, 1972) Karl R.H. Frick, volumes of 'Licht und Finsternis '(Graz, 1973-86) Ellic Howe & Helmut Möller, 'Merlin Peregrinus' (Würzburg, 1986) John Symonds, 'The Great Beast 666' (London, 1997)
Karl R.H. Frick
Helmut Möller — Ellic Howe
Actors: Many of the personalities involved in this account are
confusing, 'problematical' figures; hence references to them in the text, or citations in footnotes, will perforce themselves become contributions to the
Concept: This work's concept is the table of contents; for the most part, it is a considerable expansion and revision of a previously-published series of articles.  These articles concentrated in one sense on specific subjects; in another sense they were purely biographical accounts. These differing emphases are taken account of here, and are signalled by the sub-headings in each chapter. References from one chapter to another are included, to make the study more readable; it is intended mostly as a kind of reference work. 
Conventions: Abbreviations are introduced only once. I have attempted to refer to all doubtful terms in a distinct style, e.g 'Misraim', when no citation is present. Names of Orders, and Order-names or magical mottoes are placed within brackets at their first occurrence. Bibliographical sources are given at least one full listing.
After a brief overview, the various subjects and personalities are examined in greater detail. To avoid unnecessary complication, certain persons and organisations are not fully described on their first occurrence in the narrative, since they only play their full part in later chapters. Quotations from the protagonists have been edited for publication to include only the most relevant statements. These edits are indicated by dots within square brackets [...]; dots without these brackets were present in the original quotation. Otherwise, the style and content of original citations has been left uncorrected.
Treatment of sources: If this study seems to present a somewhat piecemeal study of a phenomenon, it is because of the contradictory and subjective characteristics so strongly marked throughout its sources.  Taking a literary-critical approach in chronological order at least allows scope for the themes to develop, and gives the documentary sources the chance to speak for themselves. This consistantly 'problematical' quality of the theme must be borne in mind if any useful conclusions are to be drawn; of itself, the O.T.O. phenomenon never produced any definitive opinions except in a purely legalistic sense after litigation.  Hence this study must be seen as only some pieces of a puzzle, meant as contributions towards an overall picture. While drawing conclusions has to be mostly foregone in the absence of source-material, one can sketch in a partial overview from what little information there is. Although the source material is capable of various interpretations, this work aims to be as objective as it can. One exponent of the phenomenon  sees matters quite differently: "The history of a Magical Order starts from another viewpoint to the normal one."  This study is not an introduction to the current conceptions of Freemasonry and its peculiar terminology, to new religious groups and associated ideas (e.g. 'magic', 'apostolic succession', etc.),  or to particular personalities - Crowley and his teachings, for example. The four titles mentioned under Context should serve the interested reader as introduction to such matters. The interpretations of events given in those works are however rarely used here, so that the published primary sources may speak for themselves. Quotations given without references to their source are such primary material. The following study is not meant as a discussion of the O.T.O.'s doctrinal content, or a description of initiation rituals; it is primarily a documentation of O.T.O. members' dealings with each other. Consequently, it is also meant as a history of the various bodies that call themselves "the O.T.O." as groups; and The O.T.O. Phenomenon was chosen as its title on the grounds of this complexity.
Legal rights: After careful investigation, the legal position appears to be as follows: Letters and correspondence have only limited copyright protection.  Under German and Swiss copyright law, works of scholarship are permitted to quote freely from documents in the public domain; this is linked to legal concepts of freedom of expression. Only in relation to quotations from material that has not yet been made public, do individual rights (privacy legislation) apply.[9, 10] The older the material in question (especially if its original author or owner is dead), the less it enjoys the protection of reverence or a personality-cult, and the sooner it can be published. (See the 'Mephisto' judgement obtained re Gustav Gründgens).  Every O.T.O. group tends to behave as if it were either working seriously in the public interest, or an unabashedly commercial publisher. Both kinds have proved essential in allowing widespread dissemination of information.
Notes to Chapter 0 of "Das O.T.O. Phänomen", version 1994
The suitability of methods for thinking about occultism and esotericism is linked to results. So long as those insights stay discursive, innovative and useful, any method — however informal or offbeat — is not only appropriate but even required. Thus scientific analysis becomes a conversation between subject and researcher, and can only ever yield tentative results. Wayward ideas can and should be viewed from a wayward perspective.
Reading Michael Foucault, Roland Barthes and Jacques Derrida will not hurt you.
Translated and adapted from the Introduction of "Das
O.T.O.-Phänomen" by Mark Parry-Maddocks |
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More about all this in: Andreas Huettl and Peter-R. Koenig: Satan - Jünger, Jäger und Justiz
Scattered On The Floor
Browsing Through The Rituals